He is from . Like other colleagues, she finds him "great fun" to work with, yet exacting in the high standards of preparation he expects of himself and his collaborators. Although Hampson married a member of his church at 20, he soon abandoned his religious upbringing for a more ecumenical spirituality influenced by everything from Carl Jung to Zen poetry. Thomas Hampson enjoys a singular international career as an opera singer, recording artist and "ambassador of song," maintaining an active interest in research, education, musical outreach and technology. ", Hampson is not the only one unhappy about that particular set, but he has been the most outspoken. His eldest daughter Catherine is married to singer Luca Pisaroni, to whom she was introduced by her father. The mezzo-soprano Frederica von Stade, who sings Penelope in the production, calls Hampson "a wonderful artist." Thomas Walter Hampson (* 28. [34], In February 2001, he sang Amfortas in Wagner's Parsifal at the Paris Opera and the Royal Opera House in London, took a four-month recital tour across Europe and the U.S., performing with Vladimir Jurowski and Franz Welser-Mst.[35]. That summer, he left for Europe, where he made the rounds auditioning for opera houses. From this point forward, he was recognized as "among the leading lyric baritones of the late century."[11]. ", Already, Hampson feels the pressure. appealed to a higher Austrian court in February of 2011, and the At the time, both were married -- she, to an Austrian count whose ancestral castle grounds have been transformed into an animal park for tourism; he, to the college sweetheart he wed when he was 20. Millions of high-quality images, video, and music options are waiting for you. To preserve these articles as they originally appeared, The Times does not alter, edit or update them. young when they married, but had a daughter named Meaghan), Walter [12] The New York Times praised the recording, saying that "the performances have a luminous beauty and cast a storyteller's spell. In 2007, Hampson returned to Simon Boccanegra at the Met. In February, he performed in the world premiere of Michael Daugherty's Letters From Lincoln with the Spokane Symphony and then as the title role in Eugene Onegin at the Met. In the short, ensuing silence, images of a drained and harried baritone quickly rousing himself for the next scene of "Don Giovanni" come to mind. Because his parents were Seventh-day Adventists, he attended church-affiliated schools in the Spokane area until college. With acquaintances, he is engagingly open and loquacious, yet frequently self-absorbed. "The last five years," he confides," I feel like I've come awake. [25] Additionally, he was inducted as an Honorary Member of the Royal Academy of Music in London in June. after their living together for a couple of decades. What are the 4 major sources of law in Zimbabwe? The case was Auf Herberstein gingen Weltstars ein und aus. Later that month he was named Male Singer of the Year by the International Classical Music Awards. Frau Under the artistic direction of Hampson, and with the contribution of prominent visiting artists, such as Graham Johnson, Brigitte Fassbaender and Nikolaus Harnoncourt, the Academy each year transforms the German city into an international meeting point for the Lied. The real pleasure turns out to be his mellifluous baritone, perfectly suited for the long, sinuous melodic lines of this infrequently performed, 17th-century opera. When he wakes and finds himself stranded on the shores of what appears to be a strange country, he stands and surveys the deserted coastline in an almost dreamlike state. markets.[60]. Did Thomas Hampson adopt Andrea Herbersteins three children? Among other season highlights include concerts with the National Symphony Orchestra and Christoph Eschenbach, the Munich Philharmonic and Zubin Mehta, the Los Angeles Philharmonic and Gustavo Dudamel, the Pittsburgh Symphony and Manfred Honeck and the Israel Philharmonic and Zubin Mehta. Thomas Hampson. He grew up in Spokane, Washington, where he enrolled at Eastern Washington State College (now Eastern Washington University) in Cheney, majoring in political science/government. Affable and erudite, Hampson, who is co-editor of a critical edition of Mahler's songs, speaks with a mild Viennese-inflected drawl, the result, I assume, of his Austro-American lifestyle. In November, he made his San Francisco Opera debut, performing the title role in Monteverdi's Il ritorno d'Ulisse in patria and role debut as Don Giovanni at the Metropolitan Opera. Andrea Herberstein, Thomas Hampson's american secret wife, is now free, she was not incercerated but served the sentence with house arrest and electronic control (Fussfessel) for seven. Andrea Herberstein, the wife of Thomas Hampson, Thomas Hampson and Sylvie Bodorov during the TV interview in the park of the Litomyl chateau Indeed, last spring, he was "covering" the role of Giovanni for Samuel Ramey at the Metropolitan; when the contract was written in 1986, he wasn't bookable in the title role. Click on a date/time to view the file as it appeared at that time. privacy and cookies. The couple met in 1986, when Herberstein was general manager of the Styriarte Summer Festival in Austria and Hampson was scheduled to sing a Purcell work with the conductor Nikolaus Harnoncourt. Organize, control, distribute and measure all of your digital content. Website. "If there's a genius like Miller directing an opera," he explains, "I'd be quite willing to consider his concept. His eldest daughter Catherine is married to singer Luca Pisaroni, to whom she was introduced by her father. "When you're hired for a title role," the 35-year-old singer says later, "you feel you should ride in on your white horse, change your spurs and" -- here, he switches to his best John Wayne imitation -- "do what you were brought in to do. In August he made another debut in Busoni's Doktor Faust. That year was also the 50th anniversary of the Vienna State Opera's reopening, and Hampson was invited to sing at a gala in the venue's honor. Hadley suggests that Hampson's driven personality might reflect a need to prove that "a kid who grew up like everyone else" can succeed at the highest echelons of the elitist classical-music business. Early 1999 saw Hampson back at the Metropolitan Opera, this time in the title role in the baritone version of Massenet's Werther, alongside Susan Graham. Who were the models in Van Halen's finish what you started video? Others say Hampson was peeved at being treated like a second-class citizen during a 1987 production of "La Boheme" starring the tenor Placido Domingo. In addition to his performance schedule, much of Hampson's modern career has centered on music scholarship and education. He can walk into a party, demand attention, and everyone falls in love with him.". Three days later, he sings "Don Giovanni" in Central Park as part of the Chemical Bank "Met in the Park" series, and he appears in three operas at the Metropolitan next season, including the title role in Benjamin Britten's "Billy Budd." (In the battle scene, Hampson shoots real arrows at his enemies.). In the meantime, he will continue to sing Mozart, a composer whose wide-ranging operas have provided Hampson with many pivotal experiences in his career. In 2011, Hampson sang the role of Rick Rescorla in the world premiere of Christopher Theofanidis' Heart of a Soldier with the San Francisco Opera, based on a true story from 9/11. 2002 bore a number of role dbuts, including an April performance as Mandryka in Richard Strauss's Arabella at the Thtre du Chtelet in Paris alongside Karita Mattila, another as the title role in the world premiere of Friedrich Cerha's Der Riese vom Steinfeld in June, and then two performances in October: one as the title role in Verdi's Simon Boccanegra at the Vienna State Opera under the baton of Daniele Gatti and the direction of Peter Stein, and one in the world premiere of Wolfgang Rihm's Sechs Gedichte von Friedrich Nietzsche in Cologne. In July, he made yet another role debut: Wolfram in Wagner's Tannhuser, a role that would later win him the 2002 Grammy Award for Best Opera Recording. But I don't need to experience every event in life that I sing about. In addition to his performance schedule, much of Hampson's modern career has centered on music scholarship and education. [63], Hampson is married to Andrea Herberstein, and has 3 step-children from her. In February 2001, he sang Amfortas in Wagner's Parsifal at the Paris Opera and the Royal Opera House in London, took a four-month recital tour across Europe and the U.S., performing under the baton of Vladimir Jurowski and Franz Welser-Mst. [51] He also took once more to the role of Athanael in Massenet's Thas, again opposite Rene Fleming[52] and sang at the opening nights of both the Metropolitan Opera and Carnegie Hall. Although the part lies about a fifth higher than "Don Giovanni," (it was actually written for tenor), the notes come easily, the phrasing is nuanced and the tone flows like honey. VIENNA, AUSTRIA - MAY 31: Opera singer Thomas Hampson and his wife Andrea Herberstein, Alexa Wesner (US Embassadress) and her husband Blaine Wesner attend the Life Ball 2014 after show party at City Hall on May 31, 2014 in Vienna, Austria. As such, in March 2010 he spearheaded the first-ever live streaming classical music available on a mobile app: a master class on Mahler songs, hosted by the Manhattan School of Music's Distance Learning Program. Andrea Herberstein and Thomas Hampson attend MANHATTAN SCHOOL OF MUSIC Concert Gala 2009 at Waldorf=Astoria on April 30, 2009 in New York City. Last year, we did "Cosi" at the Met, and it was gratifying to look at each other with a twinkle in our eyes -- realizing that the boy from Spokane and the boy from Peoria, Ill., had achieved their dreams. "For a moment," observed the singer after his departure, "I thought he wanted to say hello. She received her medical degree from University of Michigan Medical School and has been in practice 2 years. This section of the concert opens with music by Mahler, one of Bernstein's favorite composers, whose music he championed throughout his career. In 1984, he began an engagement at the Opernhaus Zrich as a principal lyric baritone, among others participating in the legendary Harnoncourt-Ponnelle Mozart cycle, including all of the Da Ponte operas and the title role of the famed 1987 production of Don Giovanni. Shortly after, he made his Metropolitan Opera debut on October 9, 1986 as the Count in Le nozze di Figaro. The tall, robustly handsome baritone has just left the stage of the Metropolitan Opera, where he has sung the buoyant Champagne Aria in the first act of Mozart's "Don Giovanni" with breathtaking agility and cynical charm. Hampson has a pliant, lyric baritone, velvety smooth in tone and caressingly expressive in its upper register. The Getty Images design is a trademark of Getty Images. ", Hampson is by inclination a traditionalist when it comes to opera staging -- "I'm not interested in 'Boheme' on motorcycles," he remarks -- and he is wary of reading too much into a character unless it is justified by the score and libretto. Hampson's operatic repertoire spans a range of more than 80 roles, including the title roles in Mozart's Don Giovanni, Rossini's Guillaume Tell and Il barbiere di Siviglia, Thomas' Hamlet, and Tchaikovsky's Eugene Onegin. Walter Thomas Hampson -- the Walter has been given to four generations of Hampson males in honor of an ancestor who Hampson says served as sheriff of London around 1600 -- is the youngest of three children. Bei kommerzieller Verwendung sowie fr verkaufsfrdernde Zwecke kontaktieren Sie bitte Ihr. The center of his Verdi repertoire remains Posa in Don Carlo, Germont in La traviata, the title roles in Macbeth and Simon Boccanegra, and more recently also Amfortas in Wagner's Parsifal and Scarpia in Puccini's Tosca. In 2009, as part of the Metropolitan Opera's 125th Anniversary celebration, Hampson sang the last scene of Parsifal with tenor Plcido Domingo. 2002 bore a number of role dbuts, including an April performance as Mandryka in Arabella by Richard Strauss at the Thtre du Chtelet in Paris alongside Karita Mattila, another as the title role in the world premiere of Friedrich Cerha's Der Riese vom Steinfeld in June, and then two performances in October: one as the title role in Verdi's Simon Boccanegra at the Vienna State Opera under the baton of Daniele Gatti and the direction of Peter Stein,[36] and one in the world premiere of Wolfgang Rihm's Sechs Gedichte von Friedrich Nietzsche in Cologne.